DOOSAN Gallery New York is pleased to announce Notations, a Solo Exhibition of Min Oh, one of the recipients of the 6th DOOSAN Yonkang Arts Awards, from March 2 through April 6, 2017.

Having majored in Piano and Graphic Design, music and design are the most natural and familiar languages to Oh. In both disciplines, there is an inherent quality of logic, control, and restraint. By focusing on those aspects, she examines and studies the sensation of tension.

Min Oh has been borrowing and applying the structure of Western tonal music and performance to her video work and continuing with these formal experiments. And within these experiments, she has been concentrating on the mutability of the score, which intermediates the relationship between the author and performer. The score serves as the foundation for the work as it records the creatorʹs process. The score also acts as a guide for the completed work. It moves and traces back through the creative process, thereby turning over the order between the resulting artwork and its making.

A Sit(2015) depicts the process of "marking," the portion of a rehearsal where a performer practices without doing all the detailed movements. A Sit(2015) changes the order between the rehearsal and the final performance. While in the performerʹs mind she practices the actual choreography including the steps, movement, breathing, etc, as she would in an actual performance albeit in a seated position, those who are looking at her are only able to imagine the development of the performance through these limited movements.

ABA Video(2016), where Min Oh uses the first movement of Rachmaninoffʹs Piano Sonata No.2 as the basis, she applies the interpretation of the music into her video. ABA series is rooted from the sonata form, ʹExposition(A)-Development(B)-Recapitulation(Aʹ)ʹ, it implicates when section(A) begins to introduce the subject with the original key and move onto another(B) and then return to the original key. This repetition and return of tone has a close relationship with a sense of security, in the way that repetition makes the next step predictable, and the return implies that it already knows where it will be returning.

In this exhibition, the artist explores her recurring themes of tension and stability, movement and stillness, and control and release. Min Oh believes that all human beings create oneʹs own rules in order to control and regulate tension that is inherent within them. The artist seeks to examine and observe these systems of regulation and creates "tools for control." Though it seems to be a futile endeavor, the artist seeks to manifest a kind of beauty within this process.

Min Oh(b. 1975) received her B.M. and B.F.A. in Piano Performing and Visual Communication Design from Seoul National University, and M.F.A. in Graphic Design from Yale University. She has held Solo Exhibitions at DOOSAN Art Center DOOSAN Gallery(Seoul, KR, 2016), D Project Space(Seoul, KR, 2015), and De Nederlandsche Bank Art Gallery(Amsterdam, NL, 2012). She has also participated in group exhibitions at venues that include Suwon Ipark Museum of Art(2016, Suwon, KR), Kukje Gallery(2016, Seoul, KR), ARKO Art Center(2016, Seoul, KR), Audio Visual Pavilion(2015, Seoul, KR), Nam June Paik Art Center(2015, Yongin, KR), and National Museum of Modern and Contemporary Art, Gwacheon(2014, Gwacheon, KR).